Michael Moore Brings the War Home, Sojourners Magazine/September 2004
Michael Moore Brings the War Home, Sojourners Magazine/September 2004: "In the theater where I saw Fahrenheit 9/11, the coming attractions featured a trailer for The Motorcycle Diaries—an upcoming film about the early life of the Latin American revolutionary Ernesto "Che" Guevara. The trailer ended with the tag line, "If you let the world change you, you can change the world."
A good omen, I thought. But the day was filled with omens. Michael Moore’s picture, and a story about his film, greeted me on the front page of the Memphis Commercial Appeal at breakfast. We went to lunch before the movie, and there he was again, in the café entrance, on page one of USA Today.
Moore’s film did not disappoint those expectations. There, on the quad cinema big screen, was African-American Marine Corporal Abdul Henderson, in uniform, explaining that he won’t go back to Iraq because he won’t "kill other poor people" who pose no threat to our country. There, after 90 minutes in which the falsehoods behind the Iraq war were peeled away, is the explanation (from George Orwell’s 1984) that, at the end of the day, the maintenance of a hierarchical society requires war. It keeps the people at the bottom fearful and economically insecure. "The war is not meant to be won," Orwell wrote, in words that define Bush’s war on terror. "It is meant to be continuous."
And that message came alongside the details of the incestuous relationship between the Saudi Kingdom and corporate America, surprising (and troubling) footage of dead and wounded Iraqi civilians, and the usually unheard voices of American soldiers left limbless and bitter by the war in Iraq. It’s all the stuff the mainstream mass media won’t tell you. And there it is, in Fahrenheit 9/11, smack dab in the middle of that mainstream. I wanted to stand and shout, "Viva!"
by Danny Duncan Collum
Sojourners Magazine/September 2004

In a private interview Wednesday, Springsteen said, ' I've always tried to keep an independent voice. That's been important, I think, to my audience. I've got 25 years of credibility built up, and this isn't something I've moved into lightly. I fought long and hard about it. But this is the one where you break the rules, where you spend some of that credibility. It's an emergency intervention. We need to get an administration that is more attentive to the needs of all its citizens, that has a saner foreign policy, that is more attentive to environmental concerns, in the White House.'
The movie may have some impact, but of course Fox News is on the air every night, and pushes in the opposite direction politically speaking. In the end, what Moore's movie may have done is kept the focus of the campaign on the war on terror. But I am not sure that is good for the Democrats, since that is the only issue on which Bush currently performs better than Kerry in national surveys. In any case, it will be an interesting Fall!

Both parties believe they can win the military vote and suggest that the families may influence others' votes.

By BILL O'REILLY


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